The answers are contained below, so read on to uncover the mysteries and intricacies of stage directions in theatrical productions! Stage directions also can be used to tell an actor how to shape his or her performance. These notations in the script, written by the playwright and set aside with brackets, tell the actors where to sit, stand, move about, enter, and exit. These terms were common in older theatres, which gave the audience a better view of the action by inclining the floor (known as a raked stage), so upstage actually was at a higher elevation than downstage.

This theatre has an elevator and a motorized lift to provide step-free access to seats, with wheelchair-accessible seating available across both levels. Wheelchair seating, companion seats, aisle transfer seats, and vision/hearing-accessible seating are available only on the orchestra level. The venue has wheelchair-accessible seats in the orchestra and mezzanine. There are wheelchair-accessible seats and companion seats in the orchestra, plus transfer seats in both sections. Wheelchair-accessible, companion, and transfer seating is on both the orchestra and dress circle levels. Wheelchair-accessible seating is available in the orchestra along with companion seats, as well as aisle transfer seats.

1) The backstage areas of the theatre. The part of the stage located downstage of the Proscenium is called the Apron, or sometimes the Thrust. Adverb (or adjective) Definition of left stage (Entry 2 of 2) They want to “exit stage right.” The phrase “exit stage right” comes from theatre scripts. “Upstage” refers to the sectionof the stage that was higher, while “downstage” refers tothe area that was lower.

stage American Dictionary

By the end of the 19th century, most stages had level floors, and much of the audience looked down on, rather than up to, the stage. Subsequently, audience seating was raked, and balconies were added to give audiences a fuller view. The audience directly faces the stage—which is typically raised several feet above front row audience level—and views only one side of the scene. The primary feature is a large opening known as the proscenium arch through which the audience views the performance. Since the Italian Renaissance, the most common stage used in the West has been the proscenium stage which may also be referred to as a picture frame stage. In this type, the audience is located on one side of the stage with the remaining sides hidden and used by the performers and technicians.

Broadhurst Theatre

For example, a director may position two feuding characters downstage on opposite sides to emphasize their conflict. Keeping left and right straight is crucial for entrance and exit choreography, blocking, lighting cues and all elements of a live performance. But remembering that stage left and right are defined from the performer’s perspective, facing the audience, helps everyone orient themselves correctly. And if you would like to practice putting stage directions into action, why not try out StageMilk Drama Club? Hopefully this article has helped you understand the basics of stage directions. The director has the power to be able to say yes or no to sticking to these performative stage directions in a script, and you should consult with them before making any decisions either way.

Understanding entries

Ask any theatre lover if they have a ghost story; I bet they do! There are a LOT of historic theatres (like The Fulton!) and there are tons of paranormal activity in theatres. Sometimes there are microphones on the stage, but every night they check EVERY mic. When you ‘break the fourth wall’ – you are acknowledging the audience in some way or acknowledging that you are IN a play! For example, if the play takes place in a house, you have to accept that they cannot close the room with a wall, or else the audience wouldn’t be able to see us. When you see a play, we have to accept certain things.

Words Starting With S and Ending With

Comedic entrances, exits, and bits crafted for the center stage space reach the entirety of the audience for maximum comedic impact. Comedic scenes placed center stage make use of the spectators’ unified perspective to time laughs and punchlines in a very focused way. Placing key actors and actions centrally helps emphasize and build dramatic intensity. Playwrights and directors intentionally utilize the center stage area for climatic monologues, intimate exchanges, and pivotal scenes.

Minskoff Theatre

However, because of its less common usage, “exit stage left” remains the more recognized idiom for describing a quick or quiet departure. While “exit stage left” is the more popular phrase in figurative speech, “exit stage right” can be used similarly to indicate a departure. Can the phrase “exit stage left or right” be used interchangeably?

  • They are always given from the actors perspective—upstage being towards the back of the auditorium and downstage towards the audience.
  • The moment viewers spotted that, they stopped watching the performances.
  • Upstage and downstage derive their names from the older tradition of raked theater stages that sloped downward towards the audience.
  • In addition to the different directions an actor can travel on stage, the way they position themselves to the audience will also affect the lighting.
  • A big element for any character onstage is their appearance.
  • Their concealment from the audience helps maintain the illusion of the performance by hiding actor traffic and backstage work.
  • Getting in the habit of thinking from the actor’s point of view eliminates a great deal of confusion surrounding stage direction.

There’s no bad seat at the theatre. Stage directions always follow a blank line, and are either inserted single spaced within dialogue or on their own, between speakers, preceded and followed by a blank line. This area is known as the apron or forestage. Stage directionsthat are embedded in the text. A piece of theatrical scenery used to conceal a part ofthe stage from the audience. The Audience seating is the Auditorium or the House.

Outside of theater, “exit stage left” is often used humorously to describe someone leaving a situation abruptly or discreetly. The director determines whether someone should exit stage left or right based on the scene’s needs. The direction of an exit depends entirely on the blocking – the planned movements of actors on stage.

The largest Broadway theatre, the Gershwin Theatre has just under 2,000 seats across two levels, the orchestra and mezzanine. The Eugene O’Neill Theatre has two levels, the orchestra and mezzanine, plus seating in boxes on either side of the stage. The orchestra has wheelchair-accessible seating, and both levels have companion seating.

This refers to actors/crew/pit/production team who are very flirtatious (or even start dating!) towards each other! The origin comes from Gilbert, who used to work out scenes using literal blocks to visualize a scene before he tried it with actors. So upstage is actually towards the back and downstage is towards the audience! The Fulton Theatre feature a mix of equity, non-equity, and local actors mixed with some amazing in house talent for the production team!

Stage directions are important as they give directions for the actors to use on stage. The stage is broken up into areas known as stage left and stage right and upstage and downstage. An actor who turns to his or her right is movingstage right, while an actor who turns to his or her left ismoving stage left. For a theatrical show, you may have to prepare lighting based on set stage actions as well as your predictions on how the actors might move about the scene. An actor in profile position will stand facing either the left or right side of the stage. When actors are positioned upstage, they appear farther away from the audience.

Onstage seats are — you guessed it — located right on the stage or performance area. Box seats are located on either side of a theatre, level with the mezzanine. Add stage left to one of your lists below, or create a new one. To add stage left to a word list please stage left or right meaning sign up or log in.

Alongside these technical stage directions that deal with the practical aspects of putting on a show, playwrights will also include performative stage directions. The final technical aspect of stage directions are sound, lighting and other technical directions. They are always given from the actors perspective—upstage being towards the back of the auditorium and downstage towards the audience.

  • “Upstage” means away from the audience,towards the back of the playing area.
  • Center stage gives actors an opportunity to create memorable dramatic and comedic moments that will resonate with the audience.
  • Meanwhile, Dramatic Irony, often employed by playwrights, can heighten the impact of a character’s exit stage left or right, adding layers of meaning to the scene.
  • These are not as important to actors as the other aspects above or below, but they are worth keeping in mind.
  • No matter which row you’re in, you’ll be nearly level with the stage, giving you a straight-on point of view.
  • As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides.

You can also upstage yourself by drawing attention to something less important when the focus of the audience should be on you in that moment. The terms have stuck around even though most modern stages are flat. A stage on a slope like this is called a ‘raked’ stage. Left and right correspond to the actor looking out at the audience.

If just three sections, there will be a center, left, and right in each. “Upstage” refers to the section of the stage that was higher, while “downstage” refers to the area that was lower. The rear of the stage, called upstage, is behind the actor’s back, furthest from the audience. The front of the stage, called downstage, is the end closest to the audience. Stage directions are written from the perspective of the actor facing the audience. Every play has some degree of stage direction written into the script.

All the same, many actors and directors favour P and OP as they eliminate the sometimes-confusion of having to clarify which person’s left or right is being spoken about. Prompt corners are still common features in modern theatres, although their placement to stage-left is not always guaranteed. These are actual terms used in the theatre to describe the various positions on the stage. You may have heard of the idea of “stage left” or “centre stage”. One thing to keep in mind is that while you’ll likely read every word written down in the script, not all stage directions may be relevant to you directly.

Stage Directions An Actor’s Guide